Reads every major RAW format
Canon .cr2/.cr3, Nikon .nef, Sony .arw, Fujifilm .raf, Olympus .orf, Panasonic .rw2, and universal .dng all decode to a clean, standard JPG.
Drop your Canon, Nikon, Sony, Fujifilm, or DNG files and get standard JPGs back — ready to open, email, and post without any camera software. No signup, no watermark.
Add RAW files to convert to JPG
RAW · up to 50 files · 100 MB each
Drag in one file or a batch of fifty, mixing brands freely. They queue together and share the same settings unless you change one.
Quality 90 is the default and keeps fine detail intact. Lower it if a smaller file matters more than the last trace of sharpness.
A single file downloads on its own; a batch comes back as one ZIP, each image carrying a fresh .jpg name.
A RAW file is not a finished picture. It is the near-untouched readout from your camera's sensor, saved before the camera commits to a colour, a contrast curve, or any compression. Each brand wraps that data in its own wrapper and extension — Canon writes .cr2 and .cr3, Nikon uses .nef, Sony ships .arw, Fujifilm has .raf, Olympus .orf, Panasonic .rw2, and Adobe, Android phones, and DJI drones lean on the open .dng. The reason photographers shoot RAW is latitude: the file holds far more tonal information than a JPG, so highlights and shadows can be pulled back and white balance reset long after the shutter closed.
That same richness is why a RAW file is awkward everywhere outside an editing app. Most web upload fields, email clients, phones, and messaging tools simply do not know how to read a .nef or .arw, so the image shows up as a broken icon or gets rejected outright. JPG is the opposite: it is the one raster format that every browser, phone, printer, and social platform opens without a second thought. Converting RAW to JPG bakes the sensor data into a standard, compressed image that behaves like any normal photo — you can view it, attach it, and share it in seconds.
AnyResizer does this the honest way. It performs a baseline demosaic — reading the sensor grid and rendering it to a viewable image at the camera's as-shot white balance and exposure — then encodes the result as JPG at quality 90 by default. There are no exposure or white-balance sliders here, because this is a conversion, not a RAW development studio. Every decode and encode runs inside your browser through WebAssembly, so your files stay on your device, and metadata like EXIF and GPS is stripped by default to keep the JPG lean and private.
Canon .cr2/.cr3, Nikon .nef, Sony .arw, Fujifilm .raf, Olympus .orf, Panasonic .rw2, and universal .dng all decode to a clean, standard JPG.
A RAW file stumps most apps and upload forms; the JPG it becomes is read by every phone, browser, and website, so the photo lands wherever you send it.
Your RAW files never leave your machine. Open the Network tab while a conversion runs and you will see that nothing is being uploaded.
Nobody wants a 40 MB .cr3 they cannot open. A JPG previews inline, attaches to any email, and needs no special software on the other end.
Portals, job boards, and print services almost always reject RAW. Convert to JPG first and the same shot sails through the upload without an error.
Instagram, WhatsApp, and the rest will not touch a .nef or .arw. A JPG posts and shares everywhere the format never gets in the way.
Send fast JPG previews of a shoot so people can pick their favourites, while you keep the RAW originals for the frames that get edited.
A phone or tablet that cannot open RAW will happily display JPGs, so an archive of sensor files becomes easy to browse again.
Word processors, slide decks, and PDFs embed JPG cleanly, where a RAW file simply will not import at all.
Always keep the original RAW file. Converting to JPG discards the sensor data's editing latitude, and that cannot be recovered from the JPG afterward.
Expect the JPG to look a touch flatter than your camera's built-in preview. A baseline demosaic does not apply the maker's picture profile, and there are no exposure or white-balance controls here.
If a frame needs real correction — rescued highlights, a white-balance fix, heavy cropping — develop the RAW in an editor first, then export or convert the result.
Batch a whole card in one go rather than one file at a time; every RAW shares the same quality setting and comes back as a single tidy ZIP.
A RAW file is your camera's unprocessed sensor data, saved before compression or colour decisions. This tool reads the major variants: Canon .cr2 and .cr3, Nikon .nef, Sony .arw, Fujifilm .raf, Olympus .orf, Panasonic .rw2, and the open .dng used by Adobe, many Android phones, and DJI. If you searched for your exact brand, there are dedicated pages too, but this page is the catch-all for any of them.
RAW is not a standard image format — each camera maker uses its own proprietary structure, and most apps, browsers, upload fields, and phones have no decoder for it. That is why a .nef or .arw shows up as a broken thumbnail or gets refused. A JPG, by contrast, opens everywhere, which is exactly what the conversion gives you.
Yes, and this is important. A RAW file carries far more tonal range than a JPG, which is what lets an editor recover blown highlights, lift shadows, and change white balance without damage. Converting flattens all of that into a fixed JPG. The conversion is a baseline demosaic at the camera's as-shot settings, not RAW development — so if you might edit the shot later, keep the original RAW.
The preview you saw on the camera back is a JPG the camera rendered using its own picture profile, sharpening, and colour tuning. This tool performs a neutral baseline demosaic at the as-shot white balance and exposure, without those maker-specific adjustments and with no exposure or white-balance sliders. The result is a faithful but plainer starting point, which may differ slightly from that built-in preview.
Dramatically smaller. RAW files are large because they store full sensor data — often 20 to 60 MB each. The JPG the tool produces is typically a few megabytes or less at quality 90, frequently a tenth of the size or better, which is what makes it practical to email, upload, and store.
Yes. Drop up to 50 files in one batch, and you can mix brands and extensions freely. They share the same quality setting unless you override one, and they come back together as a single ZIP of .jpg files.
No. Every RAW file is demosaiced and encoded inside your browser using WebAssembly. Your file never leaves your device, and nothing is kept afterward — you can confirm it yourself in your browser's Network tab. Metadata such as EXIF and GPS is also stripped by default.
Almost always, yes. The JPG is your shareable copy, but only the RAW holds the full latitude to edit, correct, and re-export the shot at its best. Treat the JPG as a convenient export and archive the RAW somewhere safe, especially for photos you care about.
Convert between JPG, PNG, WebP, AVIF, HEIC, GIF, and more in one place.
Turn Canon .cr2 sensor files into universal JPGs without Canon's software.
Open and share Nikon .nef shots as standard JPGs on any device.
Flatten a transparent PNG into a lighter JPG that every app accepts.
Take your new JPG down further in size while keeping it looking sharp.
Drop them in and get back universal JPGs that open, email, and post anywhere — while your original RAW stays untouched on your device.